PRESS

In the New York Times' 2011 Tony Awards feature, Charles Isherwood wrote that Lauren "should have been nominated for Best Actress" for her role in Where's Charley.

“Lauren Worsham broke my heart with her acting.”
Terry Teachout, Arts in America

"Ms. Worsham delights with her pure, warm tone and her agile comic delivery."
Charles Isherwood, New York Times

"Worsham, who has an innocent ebullience as Amy [in Where's Charley], shines in 'The Woman in His Room,' alternating between sweetness and rabid jealousy."
Huffington Post

“Lauren Worsham brings a surfeit of cuteness and a girlish, honeyed soprano to Lili’s wide-eyed effusions.”
New York Times

“Lauren Worsham has a voice that would make a nightingale jealous. When she sings, it’s liquid silver.“
Republican-American

“In the new revival of Carnival! at Goodspeed Opera House, the character [of Lili] comes to the fore as a refreshing discovery partly because the show is not often revived, partly because she sings such a large chunk of Bob Merrill's score (including the signature waltz 'Love Makes the World Go 'Round') and partly because Lauren Worsham sings it so beautifully and approaches Lili with such guilelessness.”
Playbill.com

“Worsham, who looks much like the actress Natalie Portman, has not only the strongest voice of the many fine singers in [Carnival!], but has a tone that is clear and thrilling to hear.”
Journal Inquirer

“[Worsham is] a babe who takes on Eartha Kitt and sounds great.”
Berkshire Fine Arts

“In certain ways [Weston Playhouse's] Light in the Piazza is actually superior to Lincoln Center Theater's 2005 Broadway production, not least because of Lauren Worsham's remarkable performance as Clara, a brain-damaged woman-child of 26 who falls in love with Fabrizio, an Italian boy who is irresistibly drawn to her glowing innocence."
Wall Street Journal

“Lauren Worsham, as virginal sex-pot Cunegonde [in Candide], knows how to be goofily amusing. Her expertise is most apparent in the coloratura ‘Glitter and Be Gay,’ where she dispenses some startling high E flats and makes the most of the jewelry-donning stage business Prince concocted 35 years ago.”
Theatermania